Available for pre-order: The Gaia Solution

Available for pre-order: The Gaia Solution

The Gaia Solution releases 8th November!

I’m always happy to have a friend’s book to boost, and today I’m excited to find out more about the next and final book in Claire Buss’s dystopian trilogy, The Gaia Solution, which is coming out as e-book and paperback on Amazon next month. This series has already proven to be solidly popular with readers, up to and including a Raven Award for the first book, The Gaia Effect, in 2017, and The Gaia Solution looks set to continue the trend.

So, without further ado…

The Blurb

Kira, Jed and their friends have fled New Corporation and joined the Resistance, but their relief is short-lived as they discover how decimated the human race has become and learn of an environmental crisis that threatens to destroy their existence. Kira and Jed must travel up the mountain to the New Corporation stronghold, City 50, to bargain for sanctuary while Martha and Dina risk everything to return to City 42 and save those who are left. With the last of her reserves Gaia, the fading spirit of the Earth, uses her remaining influence to guide Kira and her friends but ultimately, it’s up to humanity to make the right choice.

More about The Gaia Collection series

The Gaia Collection is Claire’s hopeful dystopian trilogy, set 200 years in the future after much of the planet and the human race have been decimated during The Event, when the world went to war with high-energy radiation weapons. In The Gaia Effect, Kira and Jed Jenkins – a young couple who were recently allocated a child – together with their closest friends, discover Corporation have been deliberately lying to them and forcing them to remain sterile. With help from Gaia, the spirit of the Earth, the group of friends begin to fight back against Corporation eventually winning and taking over the governance of City 42.

In The Gaia Project, Corporation fight back under a new, more terrifying organization called New Corp and Kira, Jed and their friends end up fleeing for their lives trying to find a safe place to live. They travel to City 36 and City 9 in vain and must go further afield.

In the final book, The Gaia Solution, the main characters have ended up with the Resistance and not only do they have to deal with surviving against New Corp but an extinction environmental event is looming on the horizon and they’re running out of time to save what’s left of the human race.

About the Author

Claire Buss is a multi-genre author and poet based in the UK. She wanted to be Lois Lane when she grew up but work experience at her local paper was eye-opening. Instead, Claire went on to work in a variety of admin roles for over a decade but never felt quite at home. An avid reader, baker and Pinterest addict Claire won second place in the Barking and Dagenham Pen to Print writing competition in 2015 with her debut novel, The Gaia Effect, setting her writing career in motion. She continues to write passionately and is hopelessly addicted to cake.

I was also lucky enough to have Claire over for an interview a little while ago, and she confessed to me that she usually has multiple writing projects on the go, so fans shouldn’t be concerned about the series finale: I’m pretty sure there’s lots more coming soon from this author.

You can confirm that with Claire in person wherever you like to hang out online:

What does Eostre have to do with it, anyway?

What does Eostre have to do with it, anyway?

Easter, Eostre, Ostern

Easter. Bunnies in pink waistcoats. Eggs everywhere in a gamut of unlikely colours. It’s part of the season, and very few people stop to ask themselves – what the bunny duck do rabbits, eggs, and chocolate have to do with the death and rebirth of Christ?

…actually, nothing at all. Rabbits and eggs are spring and fertility symbols, and while there’s learned argument over whether Eostre, Ostara, or even Freya was the original spring / dawn goddess who inspired the various traditions, you will note that unlike Christmas, the birth of Christ, which has a fixed date in the calendar (despite the calendar having changed a couple of times in 2,000 years), Easter wanders all over the place. You’d really think that the date of Christ’s death would be at least as fixed as his birth date, right?

In actual fact, reasonably solid rumour indicates that Easter was originally a pagan spring festival (take your pick), and the Christian Church wallpapered a ceremony over the top of it. The simplest line between two points involves a Germanic fertility / spring / dawn goddess named Eostre, and a lot of spring and fertility imagery (rabbits, eggs, daffodils…please don’t make me draw you a diagram).

Which is why you have one of the most solemn celebrations in the Christian calendar stuck rather cockeyed over the bright colours and chocolate-infested imagery of Easter, and at random points in the calendar any time from end of March to end of April.

Personally, I’m in for festivals that involve hunting down chocolate and then holing up somewhere comfy to eat it. I’m very culturally flexible for festivals that involve food.

May the chocolate-distributing bunny be good to you.

Eostre

Egging on Easter traditions

Egging on Easter traditions

Egging on Easter – some of the less traditional traditions

I’m a big fan of any festival that involves bright colours and good things to eat. Chinese New Year is one of my personal favourites, since it includes firecrackers as well as all of the above. Christmas, too, is a great excuse for competitive gluttony followed by a food coma with a mound of new books by my side.

However, the one currently up on the roster is Easter, that icon of the Christian calendar, marking the death and resurrection of Christ. Which, for some reason, is widely celebrated with chocolate bunnies and eggs in weird colours (more on that later). As I’d be struck dead if I tried to claim I was a devout anything, I thought I’d have a look at some of the lesser-known Easter traditions and where they came from.

Pretty much everyone’s familiar with the bunnies and the dyed hard-boiled eggs. So how about fashion shows, kites, and murder mysteries?

Well, the fashion show apparently started in New York, according to Mental Floss, sometime in the mid-1800s. Traditionally, it’s considered lucky to wear new clothes on Easter (no real idea why, but I’d posit some link between new beginnings and new clothes…), and apparently some of the New York upper crust felt they should be displayed for a bit more than just the Easter church service. The tradition’s broadened a bit over the years, but still exists today in the Easter Parade.

And I mentioned kites, too, didn’t I? Well, in Bermuda they fly kites to symbolise Jesus’s ascension to Heaven. The kites are brightly coloured, and designed both to fly and to make noise in the air; a great tradition for an island where the Trade Wind blows from the East 364 days of the 365.

Murder mysteries. Well, I have no idea why murder mysteries, but in the Nordic areas, Easter is celebrated with murder mystery TV shows, book releases, and even short mysteries on the sides of the milk cartons. The Visit Norway site thinks it started as a marketing stunt in the early 1900s by a couple of young authors, but whether they’re right or not, Easter in most of the Nordic countries means crime mysteries galore. (And, may I say, Nordic crime shows are fantastic? Generally I have an issue with crime shows, because I figure out whodunnit it five minutes in and spend the remaining 40 minutes being sarcastic, but there’s a couple of Nordic ones that knocked my socks off: check out Trapped and Border Town.)

So… what’s your favourite weird and off-beat Easter tradition? (Beat kites and murder mysteries, I dare ya.)

Easter 2019 Sparkly Badgers

Arthur Dux Bellorum release!

Arthur Dux Bellorum release!

Arthur Dux Bellorum – a new release from Tim Walker!

From the ruins of post-Roman Britain, a warrior arises to unite a troubled land.

Britain in the late Fifth Century is a troubled place – riven with tribal infighting and beset by invaders in search of plunder and settlement. King Uther is dead, and his daughter, Morgana, seizes the crown for her infant son, Mordred. Merlyn’s attempt to present Arthur as the true son and heir of Uther is scorned, and the bewildered teenager finds himself in prison. Here our story begins…

Arthur finds friends in unexpected quarters and together they flee. Travelling through a fractured landscape of tribal conflict and suspicion, they attempt to stay one step ahead of their pursuers, whilst keeping a wary eye on Saxon invaders menacing the shoreline. Arthur’s reputation as a fearsome warrior grows as he learns the harsh lessons needed to survive and acquire the skills of a dux bellorum, a lord of war.

Excerpt from Arthur Dux Bellorum

Artorius (the young Arthur), Merlyn and Gawain are on the run from Mordred’s men and take to the Ridgeway path to escape their pursuers….

They set out early in a steady drizzle, leading their horses along the sheep herders’ path that wound upwards. “It is dry underfoot,” Merlyn explained to Artorius, “because of the white rock that devours the rain. We can expect to see travellers and drovers of sheep who use this path for safety as you can see a long distance in all directions. Bandits, bears, wolves and even storms can be seen approaching. There are few trees or bushes on top of the ridge. It is cold and windy because it is exposed, but it offers safety and a direct route towards the north and east. Ancient peoples live here, unaffected by the Roman occupation, and may offer us hospitality.” He stopped briefly to catch his breath, then continued, “…and the way is marked by ancient forts where our forebears protected themselves from attack by men, wild animals, giants and dragons.”

With aching legs, they reached the top of the hill and saw they were at the start of a long upland ridge that snaked into the distance before them. They were now below blue skies and above low, scudding white clouds.

“We have ascended to the heavens,” Gawain gasped in awe, as they mounted their horses.

“Follow me in single rank and keep your eyes open for movement of horsemen below,” Merlyn said, leading the line. The wind had died and their way was pleasant along a worn dirt track, lined by tufts of hardy moor grass and sage scrub, undulating across the ridgeback. After an hour they saw burial mounds on a high plateau, with sheep grazing about them and an indifferent boy sunning himself on a hillock. He briefly looked up as they slipped by, although his dog gave chase to the skittish horses. Shortly after they came upon their first hill fort.

Merlyn called a halt by the gates of the wooden stockade, the tell-tale curls of smoke signalling that it was occupied. “I’ll go ahead with Varden to speak to the occupants,” he said, dismounting. They approached and pushed the unguarded gate open, slipping inside.

Artorius sought out Gawain and asked, “Do you believe Merlyn’s story that I’m Uther’s one true son?”

Gawain smiled and replied, “Yes Artorius, I believe it. I cannot say I have evidence, for although Hector was my fellow knight, I did not see him again after Uther sent him into retirement to his farm in the west, and Merlyn also disappeared from court at that time. But you have the look of Uther – his dark and searching eyes, the same unruly hair and shape of his face. He was bigger in the body, mind, but there is still time.” Gawain squeezed Artorius’s bicep and they shared a laugh. Artorius was mildly content with his answer, but reserved his judgement.

Varden beckoned them to come to the gate and they filed into the fort. Inside, there were two wooden huts built on to the stockade side, a pen with an assortment of animals, and some crude thatched huts in a semi-circle facing a fireplace with a cauldron bubbling over it. About twenty people – family groups – turned and stared at them. Merlyn was deep in conversation with a bearded druid and they stood waiting patiently.

“You are welcome, friends of Merlyn,” the older druid said, indicating that they should tether their horses on the fence of the pen. Dirty children came running with arms fully of hay for the horses. Drying animal skins and clay pots, and sods of peat cut for burning were the only signs of industry in the place. They were invited to sit by the women, who served elderberry-infused water in wooden beakers to quench their thirst.

“We shall eat and rest for an hour and then continue,” Merlyn said, unpacking some object from his saddlebags and entering the hut of the druid.

Varden saw the quizzical look on Artorius’s face and whispered, “Best not to ask.”

“Is Merlyn a druid?” the curious youth asked.

The burly soldier jabbed a stick at a tuft of moor grass and considered his reply. “He often seeks out the company of lonely druids hidden in remote places. They are rarely seen in towns, where Christian priests would round on them and publicly denounce them. And so Merlyn goes creeping around in swamps and wooded places. But he is not a druid, although he shares some of their beliefs. I think he is searching for something or someone.”

Artorius regarded his companion with a quizzical expression. “Why do you think he is searching for someone or something, and who or what?”

Varden laughed, drawing the attention of others. “That I do not know, nor dare to ask. All I know is that he says he is guided by visions and the wisdom he finds in books and scripts – and he has an understanding of our world and what lies in the hearts of men beyond that of ordinary folk. Remember, he was an advisor to two kings.”

They shared some biscuits with the silent locals, in exchange for a bowl of meat and vegetable broth.It was clear they cared not for conversation, offering one-word responses when spoken to, or sometimes merely nodding in the direction of the druid’s hut.

“There is not much joy here,” Gawain muttered, drawing a snigger from Artorius.

Author Biography

Tim Walker is an independent author based in Windsor, UK. His background is in marketing, journalism, editing and publications management. He began writing an historical series, A Light in the Dark Ages (set in Fifth Century Britain), in 2015, starting with Abandoned, set at the time the Romans left Britain. This was extensively revised and re-launched as a second edition in 2018.

Book two, Ambrosius: Last of the Romans, was published in 2017 and the third installment, Uther’s Destiny, was published in March 2018 (winner of One Stop Fiction book of the month award, April 2018). The adventure continues in March 2019 in the fourth book, Arthur, Dux Bellorum.

His creative writing journey began in July 2015 with the publication of a book of short stories,Thames Valley Tales. In September 2017 he published a second collection of short stories – Postcards from London.These stories combine his love of history with his experiences of living in London and various Thames Valley towns.

In 2016 he published his first novel, a dystopian political thriller,Devil Gate Dawn, following exposure through the Amazon Scout programme. In 2017 he published his first children’s book, The Adventures of Charly Holmes, co-written with his 12-year-old daughter, Cathy, followed In 2018 by a second adventure, Charly & The Superheroes.

Twitter basics for authors – what is Twitter?

Twitter basics for authors – what is Twitter?

What is Twitter?

First seen / guest blog on Ryder Author Resources

Twitter bills itself as a micro-blogging service. If you’re looking at that and thinking ‘that’s just great, I’ve already got a website, an actual blog, and an Amazon page – I need more things to keep updated like a hole in my head’, keep reading.

Don’t think of Twitter as ‘oh dear god, not another one’ and start thinking of it as an authors’ coffee bar. Or Irish Pub. Or drum circle. Wherever you go to talk shop and meet like-minded people.

What Twitter probably won’t do for you is get you a ton of eager new readers. I’ll be absolutely up-front about that. My following on Twitter is over 9,000, and I sincerely doubt I’ve sold more than a couple of books there. It’s not a place to set a series of ‘hey, my book’s awesome, buy it here!!!’ posts and forget about it, but that doesn’t mean it isn’t worthwhile.

What Twitter has done for me is find me my cover designer, my logo designer, various reviewers, and a lot of fellow authors with excellent tips and experience to share. It’s where I met the author group I mostly work with for joint promotions and blog hops.

Getting started on Twitter

Start small, grasshopper. Get an account, if you haven’t already.

Head over to https://twitter.com/ and sign up. If you’re creating this account primarily for author-related stuff, do yourself a favour and pick a ‘handle’ (the part that comes after the @) that has something to do with your author name. Don’t use a book or series title, unless you plan to start and keep up a new account for each book or series you launch.

Now set up your profile. You’ll need a short bio, an author photo, or at least something that you’re willing to be represented by (a lot of people won’t follow back blank profiles), and a header image. If you head on over to my profile, https://twitter.com/steel_jo, you’ll see I’ve used a book banner for my header, but you don’t have to. They’re easy to change.

Don’t put your website link in your bio – that takes up valuable real estate and you get a separate spot for it in set-up. On the other hand, if you have a link other than your website that you want permanent pride of place for, get it a shortlink (see bitly.com, for example) and stick it in.

Do use hashtags in your bio – not enough to overwhelm it, but two or three are fine and make you easier to find. Write horror? Try something like ‘writing #horror, living da dream’. Like marathons? Hashtag it. The hashtags make you searchable. Rumours keep running around Twitter that the hashtags are no longer necessary, but I’ve been there 8 years and I haven’t seen any actual footprints of that particular change, so for a whole extra character, I’d hang onto them.

Hashtags are also the basis for Twitter chats, where you can tweet with people real-time. Learn more about that here.

Is this thing on? Nothing’s happening

Yes, it is, and now you’ve got, or possibly tweaked, your account, let’s get stuck in.

Twitter is all about how many people you follow, and how many people follow you. It’s not like Facebook, where ‘friending’ someone you don’t know and have never met makes you a stalker.

So, if you just started your account, let’s head out to find you some people to chat with. Two options: up at the top right, you’ll see a ‘search’ option. If you know some people, type them in there and follow them. If you don’t, then type ‘#amwriting’ in there. You’ll see a page come up with ‘top’, ‘latest’, ‘people’, etc. Head on over to ‘People’ and follow some of the people whose bios make you grin. Once you run out of those, try another search – I write #scifi, so I’d type that into search and repeat the exercise.

Don’t get upset if not everyone follows you back – some of them will, and that’ll get you started, and it’ll give Twitter something to work with for that section on the right-hand side of your profile headed ‘People to follow’.

As a regular exercise for Twitter, I recommend taking twenty minutes each weekend, and finding 50 or so new people to follow. The following weekend, unfollow all the folks who haven’t followed you back, rinse, and repeat.

Get Tweeting

Following people is all very well, but if you never add any content, followers evaporate fast, so start Tweeting. Top right on your profile, right by the search option, you’ll find the ‘Tweet’ button.

Tweets can contain text (obviously), photos, .gifs, and polls. The character limit is currently 280. Let’s start simply and give you a tweet to ‘pin’ on your profile.

Put together something you’d like people to see as soon as they land on your profile (don’t repeat your bio), something like an intro to your work. ‘Hey, nice to meet you, I’m exploring what happened in #Oz after the Tin Man found his #heart – come and meet the cast!’ plus a website link, for example.

Once you click ‘Tweet’ it’ll show up on your profile. Usually, things you write, or retweet, show up in reverse chronological order, so your older Tweets vanish pretty quickly. To keep a Tweet at the top of your profile, click the little downwards-pointing arrow at the top right corner of the Tweet. You’ll see ‘share’, ‘copy’, ’embed’, and ‘pin’ options. Click ‘pin to your profile’.

It’s considered polite to retweet pinned posts if you’re visiting someone’s profile – it gives their tweet a boost, and lets them know you’re alive, while putting content in your feed. Win-win. Change out your pinned post fairly regularly – at least once a month. Your followers should get a notification when it changes, which gets it a bit more traction than your run-of-the-mill ‘Whoops, there goes my #coffee’ posts.

Pro tip – Twitter lists

So you’ve found Jensen Ackles’s profile, and followed him, and you’re watching Twitter with baited breath for the moment he follows you back. Sorry, ain’t never going to happen. Doesn’t mean you can’t follow him, but you don’t actually have to follow him or have him follow you to see what he’s posting on Twitter.

Enter lists, my favourite thing on Twitter after the .gif wars.

You’ll notice, in your Twitter profile or the ‘Home’ view, you’ve got the search box, a little round photo of you, and the ‘Tweet’ button in a row up the top right? Click once on that round photo, and you’ll get a drop-down menu. Second on that menu is the ‘Lists’ option.

Lists are collections of people whose content you want to see. You don’t have to follow people you add to a list, and they don’t have to be following you.

Lists are important, because once you pass about 200 people you’re following, your Twitter ‘Home’ feed updates so frequently you’ll never catch up on everything that happened while you were at work.

However, if you add people whose posts (Tweets) you really want to keep up with on to a list, you can browse whatever they had to say once you’re at home with your feet up.

I keep a list of people who post useful marketing tips, a list of my close friends, a list of people I publicise with – you get the idea.

Be a real person

Even if your Twitter account is primarily for your writing, don’t just blast your books there. Be a person. Tweet about the asshat who barged in line and kept you from your vital coffee and how you went mutant zombie killer on her ass before you woke up with your cheek stuck to the Starbucks table. Tweet about your pets, or your travel plans, or what you’re reading, or how much editing sucks.

Retweet other people’s posts. It gets you good cess, and inclines them to help you out by doing the same (that pinned post is really helpful for busy people – it give them something of yours to retweet without having to skim down twenty retweets in your feed).

Join a few chats, if you can. If you see an interesting news article, use the Twitter share option – or if there isn’t one, you can usually copy and paste the link into a Tweet.

The golden rule is something like 5% blasting your stuff and 95% everything else. You can play with that a little – if you blog, for example, I recommend retweeting older posts that are still relevant once in a while – it gives your feed content and boosts engagement with your website, but make sure it’s not a constant stream of ‘my books are awesome, buy my books!’.

Oh, and do check your Tweets *before* you post. There’s nothing like typos in a post designed to showcase what a great writer you are to make people wonder, and there’s no ‘edit’ function in Twitter – you wear it or you delete it, and even deleting can’t make it unseen by anyone who’s already viewed it. It’s worth taking a few seconds to proofread.

Have fun!

Ryder Author Resources

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