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Arthur Dux Bellorum release!

Arthur Dux Bellorum release!

Arthur Dux Bellorum – a new release from Tim Walker!

From the ruins of post-Roman Britain, a warrior arises to unite a troubled land.

Britain in the late Fifth Century is a troubled place – riven with tribal infighting and beset by invaders in search of plunder and settlement. King Uther is dead, and his daughter, Morgana, seizes the crown for her infant son, Mordred. Merlyn’s attempt to present Arthur as the true son and heir of Uther is scorned, and the bewildered teenager finds himself in prison. Here our story begins…

Arthur finds friends in unexpected quarters and together they flee. Travelling through a fractured landscape of tribal conflict and suspicion, they attempt to stay one step ahead of their pursuers, whilst keeping a wary eye on Saxon invaders menacing the shoreline. Arthur’s reputation as a fearsome warrior grows as he learns the harsh lessons needed to survive and acquire the skills of a dux bellorum, a lord of war.

Excerpt from Arthur Dux Bellorum

Artorius (the young Arthur), Merlyn and Gawain are on the run from Mordred’s men and take to the Ridgeway path to escape their pursuers….

They set out early in a steady drizzle, leading their horses along the sheep herders’ path that wound upwards. “It is dry underfoot,” Merlyn explained to Artorius, “because of the white rock that devours the rain. We can expect to see travellers and drovers of sheep who use this path for safety as you can see a long distance in all directions. Bandits, bears, wolves and even storms can be seen approaching. There are few trees or bushes on top of the ridge. It is cold and windy because it is exposed, but it offers safety and a direct route towards the north and east. Ancient peoples live here, unaffected by the Roman occupation, and may offer us hospitality.” He stopped briefly to catch his breath, then continued, “…and the way is marked by ancient forts where our forebears protected themselves from attack by men, wild animals, giants and dragons.”

With aching legs, they reached the top of the hill and saw they were at the start of a long upland ridge that snaked into the distance before them. They were now below blue skies and above low, scudding white clouds.

“We have ascended to the heavens,” Gawain gasped in awe, as they mounted their horses.

“Follow me in single rank and keep your eyes open for movement of horsemen below,” Merlyn said, leading the line. The wind had died and their way was pleasant along a worn dirt track, lined by tufts of hardy moor grass and sage scrub, undulating across the ridgeback. After an hour they saw burial mounds on a high plateau, with sheep grazing about them and an indifferent boy sunning himself on a hillock. He briefly looked up as they slipped by, although his dog gave chase to the skittish horses. Shortly after they came upon their first hill fort.

Merlyn called a halt by the gates of the wooden stockade, the tell-tale curls of smoke signalling that it was occupied. “I’ll go ahead with Varden to speak to the occupants,” he said, dismounting. They approached and pushed the unguarded gate open, slipping inside.

Artorius sought out Gawain and asked, “Do you believe Merlyn’s story that I’m Uther’s one true son?”

Gawain smiled and replied, “Yes Artorius, I believe it. I cannot say I have evidence, for although Hector was my fellow knight, I did not see him again after Uther sent him into retirement to his farm in the west, and Merlyn also disappeared from court at that time. But you have the look of Uther – his dark and searching eyes, the same unruly hair and shape of his face. He was bigger in the body, mind, but there is still time.” Gawain squeezed Artorius’s bicep and they shared a laugh. Artorius was mildly content with his answer, but reserved his judgement.

Varden beckoned them to come to the gate and they filed into the fort. Inside, there were two wooden huts built on to the stockade side, a pen with an assortment of animals, and some crude thatched huts in a semi-circle facing a fireplace with a cauldron bubbling over it. About twenty people – family groups – turned and stared at them. Merlyn was deep in conversation with a bearded druid and they stood waiting patiently.

“You are welcome, friends of Merlyn,” the older druid said, indicating that they should tether their horses on the fence of the pen. Dirty children came running with arms fully of hay for the horses. Drying animal skins and clay pots, and sods of peat cut for burning were the only signs of industry in the place. They were invited to sit by the women, who served elderberry-infused water in wooden beakers to quench their thirst.

“We shall eat and rest for an hour and then continue,” Merlyn said, unpacking some object from his saddlebags and entering the hut of the druid.

Varden saw the quizzical look on Artorius’s face and whispered, “Best not to ask.”

“Is Merlyn a druid?” the curious youth asked.

The burly soldier jabbed a stick at a tuft of moor grass and considered his reply. “He often seeks out the company of lonely druids hidden in remote places. They are rarely seen in towns, where Christian priests would round on them and publicly denounce them. And so Merlyn goes creeping around in swamps and wooded places. But he is not a druid, although he shares some of their beliefs. I think he is searching for something or someone.”

Artorius regarded his companion with a quizzical expression. “Why do you think he is searching for someone or something, and who or what?”

Varden laughed, drawing the attention of others. “That I do not know, nor dare to ask. All I know is that he says he is guided by visions and the wisdom he finds in books and scripts – and he has an understanding of our world and what lies in the hearts of men beyond that of ordinary folk. Remember, he was an advisor to two kings.”

They shared some biscuits with the silent locals, in exchange for a bowl of meat and vegetable broth.It was clear they cared not for conversation, offering one-word responses when spoken to, or sometimes merely nodding in the direction of the druid’s hut.

“There is not much joy here,” Gawain muttered, drawing a snigger from Artorius.

Author Biography

Tim Walker is an independent author based in Windsor, UK. His background is in marketing, journalism, editing and publications management. He began writing an historical series, A Light in the Dark Ages (set in Fifth Century Britain), in 2015, starting with Abandoned, set at the time the Romans left Britain. This was extensively revised and re-launched as a second edition in 2018.

Book two, Ambrosius: Last of the Romans, was published in 2017 and the third installment, Uther’s Destiny, was published in March 2018 (winner of One Stop Fiction book of the month award, April 2018). The adventure continues in March 2019 in the fourth book, Arthur, Dux Bellorum.

His creative writing journey began in July 2015 with the publication of a book of short stories,Thames Valley Tales. In September 2017 he published a second collection of short stories – Postcards from London.These stories combine his love of history with his experiences of living in London and various Thames Valley towns.

In 2016 he published his first novel, a dystopian political thriller,Devil Gate Dawn, following exposure through the Amazon Scout programme. In 2017 he published his first children’s book, The Adventures of Charly Holmes, co-written with his 12-year-old daughter, Cathy, followed In 2018 by a second adventure, Charly & The Superheroes.

Twitter basics for authors – what is Twitter?

Twitter basics for authors – what is Twitter?

What is Twitter?

First seen / guest blog on Ryder Author Resources

Twitter bills itself as a micro-blogging service. If you’re looking at that and thinking ‘that’s just great, I’ve already got a website, an actual blog, and an Amazon page – I need more things to keep updated like a hole in my head’, keep reading.

Don’t think of Twitter as ‘oh dear god, not another one’ and start thinking of it as an authors’ coffee bar. Or Irish Pub. Or drum circle. Wherever you go to talk shop and meet like-minded people.

What Twitter probably won’t do for you is get you a ton of eager new readers. I’ll be absolutely up-front about that. My following on Twitter is over 9,000, and I sincerely doubt I’ve sold more than a couple of books there. It’s not a place to set a series of ‘hey, my book’s awesome, buy it here!!!’ posts and forget about it, but that doesn’t mean it isn’t worthwhile.

What Twitter has done for me is find me my cover designer, my logo designer, various reviewers, and a lot of fellow authors with excellent tips and experience to share. It’s where I met the author group I mostly work with for joint promotions and blog hops.

Getting started on Twitter

Start small, grasshopper. Get an account, if you haven’t already.

Head over to https://twitter.com/ and sign up. If you’re creating this account primarily for author-related stuff, do yourself a favour and pick a ‘handle’ (the part that comes after the @) that has something to do with your author name. Don’t use a book or series title, unless you plan to start and keep up a new account for each book or series you launch.

Now set up your profile. You’ll need a short bio, an author photo, or at least something that you’re willing to be represented by (a lot of people won’t follow back blank profiles), and a header image. If you head on over to my profile, https://twitter.com/steel_jo, you’ll see I’ve used a book banner for my header, but you don’t have to. They’re easy to change.

Don’t put your website link in your bio – that takes up valuable real estate and you get a separate spot for it in set-up. On the other hand, if you have a link other than your website that you want permanent pride of place for, get it a shortlink (see bitly.com, for example) and stick it in.

Do use hashtags in your bio – not enough to overwhelm it, but two or three are fine and make you easier to find. Write horror? Try something like ‘writing #horror, living da dream’. Like marathons? Hashtag it. The hashtags make you searchable. Rumours keep running around Twitter that the hashtags are no longer necessary, but I’ve been there 8 years and I haven’t seen any actual footprints of that particular change, so for a whole extra character, I’d hang onto them.

Hashtags are also the basis for Twitter chats, where you can tweet with people real-time. Learn more about that here.

Is this thing on? Nothing’s happening

Yes, it is, and now you’ve got, or possibly tweaked, your account, let’s get stuck in.

Twitter is all about how many people you follow, and how many people follow you. It’s not like Facebook, where ‘friending’ someone you don’t know and have never met makes you a stalker.

So, if you just started your account, let’s head out to find you some people to chat with. Two options: up at the top right, you’ll see a ‘search’ option. If you know some people, type them in there and follow them. If you don’t, then type ‘#amwriting’ in there. You’ll see a page come up with ‘top’, ‘latest’, ‘people’, etc. Head on over to ‘People’ and follow some of the people whose bios make you grin. Once you run out of those, try another search – I write #scifi, so I’d type that into search and repeat the exercise.

Don’t get upset if not everyone follows you back – some of them will, and that’ll get you started, and it’ll give Twitter something to work with for that section on the right-hand side of your profile headed ‘People to follow’.

As a regular exercise for Twitter, I recommend taking twenty minutes each weekend, and finding 50 or so new people to follow. The following weekend, unfollow all the folks who haven’t followed you back, rinse, and repeat.

Get Tweeting

Following people is all very well, but if you never add any content, followers evaporate fast, so start Tweeting. Top right on your profile, right by the search option, you’ll find the ‘Tweet’ button.

Tweets can contain text (obviously), photos, .gifs, and polls. The character limit is currently 280. Let’s start simply and give you a tweet to ‘pin’ on your profile.

Put together something you’d like people to see as soon as they land on your profile (don’t repeat your bio), something like an intro to your work. ‘Hey, nice to meet you, I’m exploring what happened in #Oz after the Tin Man found his #heart – come and meet the cast!’ plus a website link, for example.

Once you click ‘Tweet’ it’ll show up on your profile. Usually, things you write, or retweet, show up in reverse chronological order, so your older Tweets vanish pretty quickly. To keep a Tweet at the top of your profile, click the little downwards-pointing arrow at the top right corner of the Tweet. You’ll see ‘share’, ‘copy’, ’embed’, and ‘pin’ options. Click ‘pin to your profile’.

It’s considered polite to retweet pinned posts if you’re visiting someone’s profile – it gives their tweet a boost, and lets them know you’re alive, while putting content in your feed. Win-win. Change out your pinned post fairly regularly – at least once a month. Your followers should get a notification when it changes, which gets it a bit more traction than your run-of-the-mill ‘Whoops, there goes my #coffee’ posts.

Pro tip – Twitter lists

So you’ve found Jensen Ackles’s profile, and followed him, and you’re watching Twitter with baited breath for the moment he follows you back. Sorry, ain’t never going to happen. Doesn’t mean you can’t follow him, but you don’t actually have to follow him or have him follow you to see what he’s posting on Twitter.

Enter lists, my favourite thing on Twitter after the .gif wars.

You’ll notice, in your Twitter profile or the ‘Home’ view, you’ve got the search box, a little round photo of you, and the ‘Tweet’ button in a row up the top right? Click once on that round photo, and you’ll get a drop-down menu. Second on that menu is the ‘Lists’ option.

Lists are collections of people whose content you want to see. You don’t have to follow people you add to a list, and they don’t have to be following you.

Lists are important, because once you pass about 200 people you’re following, your Twitter ‘Home’ feed updates so frequently you’ll never catch up on everything that happened while you were at work.

However, if you add people whose posts (Tweets) you really want to keep up with on to a list, you can browse whatever they had to say once you’re at home with your feet up.

I keep a list of people who post useful marketing tips, a list of my close friends, a list of people I publicise with – you get the idea.

Be a real person

Even if your Twitter account is primarily for your writing, don’t just blast your books there. Be a person. Tweet about the asshat who barged in line and kept you from your vital coffee and how you went mutant zombie killer on her ass before you woke up with your cheek stuck to the Starbucks table. Tweet about your pets, or your travel plans, or what you’re reading, or how much editing sucks.

Retweet other people’s posts. It gets you good cess, and inclines them to help you out by doing the same (that pinned post is really helpful for busy people – it give them something of yours to retweet without having to skim down twenty retweets in your feed).

Join a few chats, if you can. If you see an interesting news article, use the Twitter share option – or if there isn’t one, you can usually copy and paste the link into a Tweet.

The golden rule is something like 5% blasting your stuff and 95% everything else. You can play with that a little – if you blog, for example, I recommend retweeting older posts that are still relevant once in a while – it gives your feed content and boosts engagement with your website, but make sure it’s not a constant stream of ‘my books are awesome, buy my books!’.

Oh, and do check your Tweets *before* you post. There’s nothing like typos in a post designed to showcase what a great writer you are to make people wonder, and there’s no ‘edit’ function in Twitter – you wear it or you delete it, and even deleting can’t make it unseen by anyone who’s already viewed it. It’s worth taking a few seconds to proofread.

Have fun!

Ryder Author Resources

RAR is the author’s secret weapon in all things branding, marketing, and book review-related. Check out their site for who they are and what they do! www.ryderauthorresources.com

Twitter chats and how to find them

Twitter chats and how to find them

WTF are Twitter chats, anyway?

Twitter chats are based on hashtags. If you’ve spent more than five minutes on Twitter, you’ve noticed that Tweets fly past with #amwriting, or #IDGAF embedded in them or stuck on the end.

Sometimes, a hashtag is just that – a way to find related content across the whole wide Twitterverse. Need inspiration? Search for #quoteoftheday and you’ll find as many Tree of Life moments as you can stomach. Want to find out what #Jlo’s been up to? There you go. Feeling like a walk on the dark side of life? #INTJ.

A Twitter chat is when a group of Twitter users schedule a time to discuss something together under a specific hashtag. They tag all their Tweets with that hashtag, and people online and looking at that hashtag can see what they’ve said and respond.

Why should I take part in Twitter chats?

It’s a great way to meet like-minded fellow-travellers and learn new things. As an indie author, I haven’t met a lot of readers on Twitter, but I’ve met many writers, marketers, artists, and subject matter experts – quite often, via a chat or a hashtag. If you participate in chats, you may make friends and gain followers, both directly through the chat and if someone retweets your nugget of wisdom.

Basically, exposure, exposure, exposure.

What are some good Twitter chats for writers?

Excellent question. Another good question is ‘How do you define good?’. Personally I like chats with plenty of participation that aren’t so rigid that I feel awkward chiming in, so here are a few to drop by and try.

  • Sundays, 6 PM – 7 pm GMT: #happywritingchat does pretty much what it says on the tin – writers having fun and writing irresponsibly.
  • Mondays, 9 PM – 10 PM GMT: #sparklybadgersunite is a chat for writers of all stripes to meet up and discuss what they’re working on, what they’re reading, and what they’re watching. It’s informal, fun, and occasionally degenerates into epic .gif wars.
  • Wednesdays, 2 AM – 3 AM GMT: #bookmarketingchat is a chat focussed on (you guessed it) book marketing.
  • Wednesdays, 1 AM – 2 AM GMT: #authorconfessionchat – it’s good to experiment with new writing ideas, and to confess your results. #authorconfessionchat also runs daily author challenges; check out the schedule for each month on the moderators’ profiles and have fun!

If you search for five minutes on Google, you’ll find a lot more, but these are active as of early 2019 and well worth an hour. You’ll meet new people and have a chance to try some writing challenges.

Death is for the Living launch!

Death is for the Living launch!

Death is for the Living launch!

“When ‘here be monsters’ doesn’t only mark the unknown…”

With the Death is for the Living launch, I can finally call myself a sci-fi and urban fantasy author. I’m excited about this. Not only was Death is for the Living somewhat of a pet project for me (OK, all my books are pet projects, who am I kidding), but I wasn’t at all sure how it would be received.

I mean, vampire hunters, yachts, and the Caribbean? It’s a bit of eclectic mix. On the other hand, it met the reviewers, and so far the results have been very encouraging:

Readers' Favorite 5 starYes, pirates, vampires, vampire hunters and storms at sea can exist within the pages of one book — and they do it so well in Death is for the Living. It’s most highly recommended.” ~Readers’ Favorite 5 star review by Jack Magnus

 

I wanted to be mad at the author for the ending; how could they do this! But it was perfect! It ended the way the whole book was written, with mystique.” ~Readers’ Favorite 5 star review by Peggy Jo Wipf

I wrote the first draft of this book a really, really long time ago, and frankly had no intention of publishing it. I missed sunshine (any sunshine, I was living in Yorkshire at the time), palm trees, wind in my face, and the ability to go anywhere without supervision. (No, I wasn’t in juvie…boarding school.) However, one day I floated the idea (oh, ha) in a writers’ group, and instead of getting a roar of laughter, I got some ‘hmm, sounds interesting’ reactions, and began to seriously consider tuning the book up for publication.

While the yacht I grew up on was a 45-foot Mudie ketch, not a schooner nearly twice that size, a lot of the day-to-day aboard a yacht scenes are pulled from my experience living aboard, as are some of the locations (you can read more about those on the book page). I did most of the research on the places I hadn’t visited in the depths of last winter, and let me say that there’s nothing like researching the best sailing approach to Trinidad while there’s a foot of snow on the ground outside.

So, without further ado, here’s the teaser text:

By day, Cristina Batista is a deck girl on a Caribbean charter yacht, with all the sun, smiles, and steel drum music that entails. By night, she and her crew hunt the monsters that prey in the dark: the powerful vampire clans of the New World.

Unfortunately Cristina’s past is hunting her in turn – and it’s catching up. Without her partner, sometime pirate, sometime lordling, and ex-vampire, Jean Vignaud, Cristina wouldn’t simply be dead. She’d be something she fears far more.

Cristina and Jean are experienced, motivated, and resourceful. One faction wants them despite it. The other wants them because of it.

You can sit in for an interview both Cristina and Jean if you’d like to get to know them a bit better, or learn a little bit about yacht Artemis – or keep going for ‘buy’ links to contribute to my coffee fund 🙂

Get a copy of Death is for the Living:

E-book publishing 101: Draft 2 Digital

E-book publishing 101: Draft 2 Digital

Draft 2 Digital, or D2D

Draft 2 Digital is one of the sites that helps you go from ‘I can haz wordz!’ to ‘I’m a published author.’ D2D is one of two major content aggregators in the publishing world; the other is Smashwords.

A content aggregator takes your manuscript and creates a customised file or files, which then allow it to push your book to its affiliate sites, e.g. iTunes, Barnes & Noble, or Kobo. Think of it as a centralised distribution for your book to multiple sales channels. Both Smashwords and D2D do also distribute to Amazon if you want them to, although Amazon makes it very easy to set your manuscript up with them directly.

Content aggregators are particularly important if you live in one of those areas outside the United States, where reputable currency is deemed to be non-existent and we barter with trade items. Various booksellers, such as Barnes & Noble, cannot make payments to certain areas (Canada was my personal example).

However, both Smashwords and Draft 2 Digital can and do pay to PayPal, among other options, and do have an affiliation with multiple booksellers. This is to say that not only can you format your manuscript once and it goes to ten or more distribution outlets, but you get your reports in one place, and your payments in one place.

Disclaimer: I publish with Draft 2 Digital, among others.

Draft 2 Digital: the bare essentials

  • Working Internet browser
  • Word processing software, ditto functional
  • Your manuscript, ideally in .docx or other D2D-accepted format
    • If you have already formatted for Amazon, you can use your Amazon manuscript file for D2D and it will need at most minor tweaks
  • Your book blurb (back jacket text)
  • E-book cover art
    • And for the love of all the little wriggly deities, if you’re going to spend money on any one part of the publishing process, do it here. Get a professional cover designer and a professional cover. Don’t photograph your baby cousin’s finger-painting and use PowerPoint to paste your title in on top of it. Your cover is the thing online book buyers see. If that doesn’t interest them enough to stop and read your blurb and open your book, nothing else about your book matters because the buyer will never see it.
  • Your PayPal email (or other bank account set-up details)
  • Your local tax identification information – the interview is relatively painless, but you’ll need to tell them where you pay tax.

Start here

You’ll need to go and set up your D2D account. You’ve done this before at some point; you’ll need your name, a sacrificial email address, your publishing company name (which is your pen name if you haven’t created a registered company), and a password. It takes a couple of minutes, and you’re in.

Head over to the ‘My Account’ area; you aren’t quite done. Go into ‘Payment Options’. This is where you’ll need that tax identification information I listed up top.

Tell the nice D2D folks where you live and how you want to get paid. I use PayPal because it’s convenient for me, but fill your boots with your option of choice. You’ll also need to take the tax interview to either set up your tax payment in the United States, or if like me you live somewhere where beaver skins are the preferred payment method, then you tell them your citizenship, country of residence, country where you pay tax, and your tax ID for that country, and they will generate the appropriate documentation for you in their system.

Book set-up

…because that’s what we’re really here for, after all.

Click ‘Add new book’. (Pretty self-explanatory, right?). It’ll ask you to upload your manuscript. They ask for .docx, but they also accept anything MS Word-readable, and if you have a pre-formatted .epub file, they’ll take that as well.

Enter your book details – title, blurb, ISBN if you have one, etc. Select your BISAC categories. Don’t panic about this; you’re really just telling the system where your book would be displayed in a brick and mortar store. Would it be under Comparative Religion, or Fiction / Thriller? Once you’re done with that, pick some keywords. If you’ve done a lot of research into keywords for your book, good for you, you know what to do. If you haven’t, and are staring at this next hurdle in blind panic, take a deep breath. If you were searching for your book in the search bar, what’s the first word or phrase you would type in to find it? Great. Put that in. Do it again. Shoot for at least six or seven keywords or phrases, don’t repeat words that are already in your title or your BISAC selections.

Check all your fields, take a deep breath, and click the ‘Save and Continue’ option.

Cover and layout

Upload your cover. Your professionally-designed cover, please God, unless you’re a whole lot better at graphic design than I am and know exactly what you’re doing.

While that’s crunching through upload, check your chapter layout. Unless you made a real dogs’ breakfast of your MS formatting, you should see a list of entries you recognise, and which match your Table of Contents in the file you uploaded. (Please note, if you opted to upload an epub, you won’t have to go through this section; D2D will siply accept your epub formatting.)

Once the cover’s uploaded, and once you’re happy that the chapters displayed are right, click ‘Save and continue’.

Now you’re in the preview section, and this is where D2D really shines. Depending on your genre, and how you want your book to end up, you can select from a variety of pre-programmed layouts. For those of us who don’t have an epub formatting program, and know next to nothing about it, this is great because you have some limited formatting options and, best of all, you don’t have to upload a .docx and pray the epub comes out legible: D2D shows you a preview.

Pricing and distribution

Basically, D2D lets you set up shop on their site for free. They make their money (as do you) when you sell a book. They take a small amount from your book price based on some alchemy around storing and transferring your book file to the reader. All the rest is yours. Not a bad deal, compared to the pittance a traditional publisher will give you when they sell a copy of your book.

Pick your book price. Oddly enough, cheaper isn’t always better. (Yes, I am going to stand this up with some sources – patience, grasshopper.) For an average novel length (75K – 150k words, let’s say), the recommended price point for sales versus being taken seriously tends to be about $2.99 – $3.99 USD for most genres.

Who died and made me God? Here’s some articles on book pricing you can check out.

Now…hit ‘Save and Publish’.

Congratulations, you’re a published author. Go and check out your masterpiece under ‘My Books’, admire the cover design, make sure it’s going out to all the right distribution channels, and spend a moment patting yourself on the back and enjoying the moment.

Extra – read all about it!

One other thing that D2D offers that Smashwords and Amazon don’t make quite so streamlined, if they offer it at all; audio books. D2D has a partnership with Findaway Voices, whereby you get a special offer on audiobook set-up (no fees until you actually settle on a narrator).

D2D will provide you with the set-up interview, where you give Findaway a bit of additional information on your book and select the ideal characteristics for your narrator, and then you hit ‘go’ and wait for them to send you the follow-up with potential narrators to your email.

While I was spoilt in terms of audiobooks as a child by the BBC version of The Hobbit, with a full cast of voices and full sound FX, and therefore almost never bother to pick up single-voice book narrations (because I’d rather read it to myself and get the full cinematic immersion in my head), a lot of folks do like narrated books, either because of vision difficulties, lifestyle, or whatever else.

I’m trialling the system with Death is for the Living, just to see if it’s feasible.

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