In the beginning…tell me what made you decide to start writing?
I wanted to see if I could write a book. And I know that’s a terrible answer, because I’m not one of those writers who have been writing since they were old enough to hold a pen. I have been a voracious reader all of my life, so I have always appreciated and loved the written word. I figured, what better way to learn how to write a book…than actually writing a book? The learning curve was steep and at times almost impossible, but I finished it and proved to myself that I could do it. It was tons harder than I ever thought it would be. Along the way I also fell in love with writing short stories and flash fiction. The short form is a fantastic way to flex your writerly voice, and learn which genres you prefer to write in. I continue writing books because I’m addicted to them. I never dreamed I would have this much fun challenging myself.
Are there any authors or artists who influence(d) you?
I’ll be that clichéd author who says Stephen King, because that’s what was on my mother’s bookshelves. And he’s Stephen Freaking King… the man is a legend for good reason. That, and true crime about mothers who killed their children were usually on our coffee tables. I should have slept with one eye open. I’ve loved Poe for as long as I can remember, and of course my younger years were filled with Christopher Pike, RL Stein, and Mary Higgins Clark.
Tell me about your book / series.
A mother loses her grip with reality as she seeks revenge for her son’s death.
Rebecca Crow’s four-year-old son is dead, and her husband is missing.
Divers find her husband’s car at the bottom of a canal with their son’s small, lifeless body, inside. The police have no suspects and nothing to go on but a passing mention of a man driving a van. Guilt and grief cloud Rebecca’s thoughts as she stumbles towards her only mission: Revenge.
James Porter knows exactly what happened to them, but he’ll do anything to keep it a secret.
James didn’t plan to kill Rebecca’s son, but he’s not too broken up about it, either. There are more important things for him to worry about. He needs money, and his increasing appetite for murder is catching the eye of a local detective.
How many unpublished and half-finished books do you have?
Outlined but not started: two.
Finished and currently with beta readers: one.
Surprisingly enough, I don’t have any that are half-finished.
What’s your opinion on the practice of ‘banning’ books?
This is a tricky one because my first instinct is to say that I think it’s ridiculous. But some books are filled with racism, hate, bigotry, misogyny, etc., and probably deserve to be shelved forever. The question I suppose is whether or not we can still learn from those books. As for banning due to stuffy parents wanting to control what their little darlings take in, I have one word: PornHub. Or is that two? Either way, kids these days have access to far more damaging media than a book.
Tell me about a principal character in your book(s). What makes them memorable?
James Porter is memorable because he’s the bad guy you can’t help but like. You wouldn’t want him to date your sister, but you would drink a beer with him if he was buying.
Indie, or traditionally published – and why?
I went the route of a small press (Close to the Bone/UK) because there are much higher royalty rates, and a much more personalized experience. They were also great to work with in letting me design my own cover.
It’s said that to write well, you need to read a lot. What do you think?
Absolutely. I feel it’s important to immerse yourself in your craft. I always find it odd when writers aren’t readers and/or “don’t have the time to read”, because why would you want to benefit from a culture you don’t partake of? I do have to watch what I read while first drafting, as style and voice tend to bleed over.
Tell me what you feel the worst, and the best, aspects of being an author are, and why.
The worst bit: It’s changed how I read novels and how I watch movies. My husband (also a writer) and I now discuss plot/character/etc. and why something is or isn’t working with other movies and books. It’s one of those bells that can’t be unrung.
The best bit: Having just written something and feeling like I’ve nailed what I was trying to do. I also love the subculture of writers, both Indie and traditionally published. They are incredibly supportive and encouraging.
Are you a plotter, or a pantser? What do you think of the opposite approach?
Plotter. I like to have a timeline and a chapter-by-chapter summary before I start drafting. Of course, it changes almost immediately as I write. I think writers should use whatever works best for them.
Do you hide any secrets in your books that only a few people will find?
I don’t think so, not consciously anyway. I did put the number 1418 in Come Join the Murder on purpose, since it’s my photography studio’s room number at work. I think I used it as someone’s address but now I can’t remember.
Tell me about one favourite hobby or pastime that isn’t writing or reading.
Photography is a big one, mostly macro stuff and food photography. I also like to watch cheesy B-Horror flicks with my husband (I’m looking at you, Zombeavers) and go to the beach.
What are you writing at the moment?
I’m co-writing a horror novella with my husband featuring Bigfoot, tentatively titled Easton Falls Massacre. It is currently with beta readers.
What’s your opinion on the belief that indie books are badly edited and lower quality than traditionally published?
I think Indie gets a bad rap by a few authors who want to skip the editing step, either because they can’t afford it or just don’t care. I’ve read a few poorly edited Indie books, but I’ve also read some fantastic ones. I think traditionally published books tend to all have the same “feel”, and Indies get to play around more and experiment with ideas and form. I like both.
What is your favourite genre to write, and why?
I’d say it’s a tie between psychological thriller and horror. I love psychological thrillers for that in-depth headspace you have to immerse yourself in, and it’s fun to play around with people’s emotions (that probably makes me sound like a sociopath). Horror is fun because it’s something I grew up with, and it feels very natural to me. It’s stepping to the edge of those intense emotions, but with a safety net that you can close at any time.
If you could, would you live in the world you’ve created? Why / why not?
For Come Join the Murder, I basically already live there. I made the town a hybrid of Galveston and Surfside, TX. I was born in this area, and still live here now.
If you could go back to the start of your writing career, what is the one piece of advice you’d give yourself?
Not everything you write needs to be (or should be) published. Some of it is for the exercise, or fun, or a contest, etc. I put too much pressure on myself at the beginning to get that “published” stamp.
Do you listen to music when you write, and if so, what do you like?
Oh, definitely. For Come Join the Murder it was a Van Morrison playlist on repeat. I pulled it up when I was trying to think of something Rebecca could listen to in the car while she was driving, and just kept listening. Morrison is very soothing. For the action scenes I did switch to atmospheric sounds (rain/crowds/highway/etc) to get in that space. For my current book, the Bigfoot horror novella, the playlist is a lot of Five Finger Death Punch, Alice in Chains, and Shinedown.
What was one of the most surprising things you learned in creating your books?
That it is 1,000x harder than I thought it would be. I have so much more respect for the process now.
Tell me three unique things about you.
– I’ve moved 21 times in my 40 years of life (I don’t like to sit still).
– I once met and photographed the President of Argentina (Mauricio Macri).
– I have an Advanced Open Water Certification from PADI (Scuba Diving) but haven’t been diving in years. One day I’ll pick it back up.